A photographic homage to our planet ?In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen.? ?Sebasti?o Salgado On a very fortuitous day in 1970, 26-year-old Sebasti?o Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward?though it took years of hard work before he had the experience to earn his living as a photographer?the camera became his tool for interacting with the world. Salgado, who ?always preferred the chiaroscuro palette of black-and-white images,? shot very little color in his early career before giving it up completely. Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: Workers (1993), documenting the vanishing way of life of manual laborers across the world; Migrations (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure; and this new opus, GENESIS, the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society?the land and life of a still-pristine planet. ?Some 46% of the planet is still as it was in the time of genesis,? Salgado reminds us. ?We must preserve what exists.? The GENESIS project, along with the Salgados? Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. Over 30 trips?traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions?Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. What does one discover in GENESIS? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo?é tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado calls GENESIS ?my love letter to the planet.?
An homage to workers and a farewell to the world of manual labor Sebasti?o Salgado?s photo book classic Workers. An Archaeology of the Industrial Age (first published in 1993) pays tribute to the time-honored tradition of manual labor in the new millennium when machines and computers replace human workers throughout the globe. With images of striking beauty and integrity, Salgado composes a visual elegy for the working men and women, whose indomitable spirit has prevailed over the harshest of conditions to achieve a singular grace. More than those of any other living photographer, Sebasti?o Salgado?s images of the world?s poor stand in tribute to the human condition. Salgado defines his work as ?militant photography?, dedicated to ?the best comprehension of human being?; over the decades he has bestowed great dignity on the most isolated and neglected among us ? from famine-stricken refugees in the Sahel to the indigenous peoples of South America. With Workers, Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization. Workers presents its subject on several interactive levels: Salgado?s introductory text, written in collaboration with Brazilian author Eric Nepomuceno, expands his passionate photographic iconography; extended captions, also written by Salgado, provide a historical and factual framework. Honoring the timeless and indomitable spirit of the manual laborer, Workers renders the human condition with honesty and respect.
Sebasti?o Salgado on the traces of the indigenous peoples of the Amazon rainforest Sebasti?o Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there?an irreplaceable treasure of humanity. In the book?s foreword Salgado writes: ?For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world?s largest single natural laboratory.? Salgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the Asháninka, the Yawanawá, the Suruwahá, the Zo?é, the Kuikuro, the Waurá, the Kamayurá, the Korubo, the Marubo, the Awá, and the Macuxi?their warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals. Sebasti?o Salgado has dedicated this book to the indigenous peoples of Brazil?s Amazon region: ?My wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 years? time this book will not resemble a record of a lost world. Amazônia must live on.?
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