'The Curious Case of Benjamin Button' sees a baby born in 1860 begin life as an old man and then age backwards. F. Scott Fitzgerald hinted at this kind of inversion when he called his era 'a generation grown up to find all Gods dead, all wars fought, all faiths in man shaken'. Perhaps nowhere in American fiction has this 'Lost Generation' been more vividly preserved than in Fitzgerald's short fiction. Spanning the early twentieth-century American landscape, this collection captures, with Fitzgerald's signature blend of enchantment and disillusionment, America during the Jazz Age.
Unfinished at the time of his death, F. Scott Fitzgerald's The Last Tycoon is a story of doomed love set against the extravagance of America's booming film industry. This Penguin Modern Classics edition is edited with an introduction by Edmund Wilson. The studio lot looks like 'thirty acres of fairyland' the night that a mysterious woman stands and smiles at Monroe Stahr, the last of the great Hollywood princes. Enchanted by one another, they begin a passionate but hopeless love affair, starting with a fast-moving seduction as slick as a scene from one of Stahr's pictures. The romance unfolds, frame by frame, watched by Cecilia, a thoroughly modern girl who has taken her lessons in sentiment and cynicism from all the movies she has seen. Her buoyant humour and satirical eye perfectly complement Fitzgerald's panorama of Hollywood at its most lavish and bewitching. F. Scott Fitzgerald (1896-1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsby is considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novels This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '.
Exploring the decadence of Jazz Age New York through a fictionalised version of his own marriage to Zelda Fitzgerald, F. Scott Fitzgerald's The Beautiful and the Damned includes an introduction by Geoff Dyer in Penguin Modern Classics. Anthony Patch and his wife Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth. But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony and Gloria must face reality; they may be beautiful - but they are also damned. F. Scott Fitzgerald (1896-1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsby is considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novels This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '. If you enjoyed The Beautiful and the Damned, you might like John Dos Passos' Manhattan Transfer, also available in Penguin Classics. 'A prose that has the tough delicacy of a garnet' New York Review of Books
Bonito
O nas
Kontakt
Punkty odbioru
Dla dostawców
Polityka prywatności
Ustawienia plików cookie
Załóż konto
Sprzedaż hurtowa
Bonito na Allegro